Make Do & Mend

As Christmas edges closer and a New Year is on the horizon I’ve been thinking about the theme of Make-do and Mend and how it translates into our homes, along with the connected themes of care and restoration. This theme was partly inspired by a rather ravenous moth that ignored most of my wardrobe and descended on my precious year-old wool and cashmere coat (I’m told they love quality).

 
 

If you’re at all like me, I’m sure the treasured possessions in your home can cause occasional pernicketiness too. Although if you have children or pets you’ve probably learnt to let go of such inclinations for the sake of your own sanity! I know house training my puppy George was a baptism of fire (and wee!) The truth is, the passage of time, and all the activity and joy experienced, is inherently aging and this applies to the life of our homes too. Floorboards wear, paint gets chipped, worktops become stained, and fabrics become worn...or moth eaten!

Whilst there’s a certain lived in charm to a little wear and tear sooner or later pieces in our home inevitably require a little care and attention. I’ve noticed in recent years almost all the homeowners I work with are keen to restore, repair and renew existing features during a renovation. Whilst cost is occasionally a partial factor most often it comes down to an appreciation of resourcefulness, sustainability, and creativity.

Existing wooden floors are frequently sanded and reoiled, joinery spruced up with fresh paint and handles, upholstery restuffed and recovered, stone floors resurfaced and existing fixtures such as shower screens and sanitaryware kept if they’re in good nick and work well layout wise. 

Technicolour Dreamboat: Living Room

Our most recent project ‘Technicolour Dreamboat’ is a great example of the Make-do and Mend ethos. Alongside a host of new additions, several existing features were thoughtfully renewed to blend the old seamlessly with the new. The hardwood floors were sanded and reoiled, the solid wood shaker kitchen was modified, repainted, and new hardware added, the sink in the cloakroom was retained and the newish sofa from the family’s previous flat was spruced up with fresh soft furnishings. Needless to say a handful of vintage and reclaimed pieces made an appearance, including. a gorgeous mid-century Spanish sunflower mirror from Lordfords and a pair of art nouveau handles from The Old Cinema!

A few images of the completed project are sprinkled throughout this journal post but if you’re interested in seeing before shots to gauge the transformation in full head over to my Instagram (BEFORE vs AFTER stories).

Mid-century sunflower mirror (Lordfords)

Restored kitchen cabinetry 

Without further ado, here are my key recommendations:

 1.     Buy well. By this I don’t mean you should necessarily buy the most expensive or from the most prestigious retailer but rather to keep quality and longevity in mind if you’re keen to invest in pieces that will last.

For example, real stone and wood can be polished and resurfaced whereas laminate and ceramic imitations cannot. Equally whilst two items might look relatively similar the composition and quality of the materials on and beneath the surface will determine how well the item ages. I’ve learnt through trial and error in my own home that upholstery with a solid wood frame will outlast chipboard and mdf alternatives and acrylic baths tend to get scratched pretty quickly and cannot be resurfaced the same way an enamelled cast iron bath can. As a rule, good quality materials are easier to restore so before committing to a purchase it makes good sense to question how easily the item you have in mind could be cared for or repaired.

Mid-century chairs from Provence (1stDibs)

2.     Maintain. It is perhaps common sense but regular care and attention goes a long way. To preserve wood flooring’s elegance, Ian of Chauncey’s Flooring recommends “a routine of cleaning and maintenance to keep it looking at its best and to ensure the wood remains fully protected

Here are Chauncey’s key recommended maintenance tasks:

Regular Cleaning:  Regularly dust your floors with a non-abrasive, lint-free mop to remove dust and dirt that can scratch the surface. For deeper cleaning, use a mop with a specialist cleaner specifically designed for timber floors.

Protect from Moisture: Wipe up spills promptly to prevent water from seeping into the timber and causing damage. Use doormats at entryways to reduce the amount of dirt and moisture brought in from outside.

Avoid Harsh Chemicals: Use cleaning products that are appropriate for timber floors. Avoid harsh chemicals or abrasive cleaners that can damage the finish.

Furniture Pads: Place felt or rubber pads under furniture legs to prevent scratches and dents. Avoid dragging heavy furniture across the floor.

Maintain the Finish: Depending on the finish (oil or lacquer), periodic reapplication may be needed to maintain the floor’s protective layer. Follow the manufacturer’s recommendations for refinishing or re-coating.

Damage Prevention in Homes with Pets: A mat well or entrance mat is a great idea to minimise those dirty paws and muddy footprints. Try to keep an old towel close at hand for those particularly muddy walks. A high-quality prefinished oak flooring should withstand some scratching but keep your dog's nails clipped and ensure your floor is properly maintained to reduce the risk of scuffs and scratches. As with all pets, unfortunately accidents do happen, so if there are any puddles left by pooch, clean them up as quickly as possible.

3.     Spring and Autumn inventories. To welcome fresh energy and maintain upholstery and furnishings these times of year lend themselves to deep cleaning and decluttering rituals. Think professionally cleaning carpets and rugs, sending bedding and cushions to the dry cleaners, and cleaning curtains and blinds. As rugs, furnishings and window treatments are often some of the larger expenses in a redecoration making these things part of a change of season ritual helps to keep them looking their best and these elements can often last decades with a little TLC! Interestingly, the oldest rug in the world is roughly 2500 years old which is rather impressive even if was preserved in ice for much of that period!

Sonia of Sonia Adams Interiors who created the window treatments and custom bay window seating for our Technicolour Dreamboat project advises:

“Avoid dry cleaning and steam cleaning your window treatments as these methods can change the texture, colour and drape of the fabric. In particular, dry cleaning can lead to shrinking of interlinings thus changing the appearance of window dressings. Instead, use the smallest brush attachment on your hoover and gently vacuum fabric window treatments, paying particular attention to the headers where the pleats have a tendency to gather the most dust. Doing this after a renovation is particular important as dust has an uncanny way of reappearing for a number of months after the builders have left despite regular cleaning. Of course, stains (be they wine, coffee or…something more organic!) happen and in that scenario I’d always recommend using a specialist window treatment and upholstery cleaner such as Pilgrim Payne who have expertise in working with designer furnishing fabrics.”

It seems only appropriate to mention dastardly moths too. I’m not a huge fan of chemicals and prior to the recent incident I kept cedar balls, lavender bags and used a bergamot oil diffuser in my wardrobe. The moths only attacked 4 items so I’m not sure whether these measures were actually relatively effective and I was just a bit unlucky (or lucky depending on how you look at it) but I do know the super strength chemical stuff I bought afterwards in a panic made my nose bleed and gave me a headache…Which is my meandering way of saying I’m none the wiser on moth remedies and you should pick your own poison! I’ll willl however be trying Angela Flander’s French moth herb spray as i’d like to keep things au naturale.

*As a side note, popular sisal, jute and seagrass rugs (as shown in the accompanying images) are averse to liquids so steam cleaning or any other water-based cleaning is best avoided (bicarb of soda is a good if imperfect remedy for spills). Silk curtains and cushions are also averse to water so steam cleaning is best avoided on these too. If in doubt, call a professional and don’t risk a DIY disaster!

Custom window treatments and bay seating

Custom details on the bay seating

4. Annual Inventories. Every year it’s worth doing a top to toe review of paintwork, flooring, cabinetry and surfaces (e.g. countertops). As a general rule of thumb, paint work and wood flooring need repainting and refinishing every 4-5 years or so but in the intervening periods you may wish to do a bit of light touching up to minor nicks and scuffs and reoil your wooden floor. Wooden furniture and features such as doors and staircases, as well as, spot areas of wear on wooden floor may benefit from a professional French polish or other specialist restoration e.g. to remove water stains or to fill deep scratches.

Natural stone and other porous surfaces (e.g. terracotta) are sealed during installation to provide a protective layer against moisture and dirt. Over time the protective sealant will wear off making the tiles more susceptible to staining and deterioration. As a guide, resealing natural surfaces such as these is best done roughly every 3-4 years in lower use areas e.g. infrequently used guest bathrooms and every 18 months or so in higher use areas such as kitchen worktops, hallway floors and master bathrooms. With this in mind, it’s worth keeping an eye on these surfaces in your home as if you notice during regular use or cleaning they’re absorbing more moisture or dirt than usual you can swiftly tend to them and reseal as required.

Technicolour Dreamboat: Kitchen

5. Occasionally, as with my winter coat, you might need to invest in a new piece (or at least new to you) for your home. If so, return to point 1. :)

Reclaimed art nouveau handles (The Old Cinema)

Rustic dining table (Devols) and mid-century dining chairs (1st Dibs)

Mastering the Art of Mixing Patterns and Prints in Interior Design

Mastering the Art of Mixing Patterns and Prints in Interior Design

Mixing patterns and prints might be second nature to most designers but it can feel daunting to many so to help shed some of the mystique that shrouds it I’ve broken down the process and key concepts for those who are keen to experiment with incorporating pattern and print in their own homes but aren’t sure where to start.

Identify your preferred pattern styles

Before diving into patterns and prints, it's essential to establish the kind of patterns you’re drawn too. Patterns broadly fall into the types outlined below:

·      Stripes & checks

·      Animal prints

·      Geometrics

·      Botanicals

·      Florals

·      Tribals

·      Abstracts

Once you have a good steer on these preferences you can move onto the next step.

Choose a Colour Palette

Selecting a cohesive colour palette is the next step to mixing patterns successfully. Stick to 2-3 main colours with a background or base shade to ground the scheme. For instance, if you love blues and greens, you can mix these shades with a neutral base like white, beige, or grey. Going one step further you can then add an additional colour to the mix to offset the combination, either with a punchy contrasting colour, or perhaps a tonal colour to meld together the blues and greens. The key is to ensure that all the patterns share at least one or two of the chosen colours to tie everything together.

If you’re especially nervous about clashing colours, opt for tonal schemes which incorporate varying shades of the same colour. This approach offers will add interest in a subtle way and can be layered upon later if your confidence in mixing patterns increased and you fancy experimenting with a bolder look.

Mix Different Scales of Patterns

One of the most important aspects in successfully mixing patterns is to vary the scale of the prints. This means pairing large-scale patterns with medium sized and smaller ones. For example, if you have a large scale botanical wallpaper, balance it with a smaller, more streamlined pattern like a stripe. This variation prevents the patterns from competing and allows each to stand out in its own way.

  • Large Scale: Think big florals, wide stripes, or oversized geometric shapes. These are primarily used on larger surfaces that make a statement, like an area rug, wall covering, or a large piece of art.

  • Medium Scale: These can include slightly smaller designs like mid-sized tribal or geometric prints. This scale is typically well suited to medium sized surfaces like larger items of upholstery and window treatments but can also be used to great effect on smaller items like soft furnishings such as cushions and throws.

  • Small Scale: Think small dots, subtle stripes, or delicate floral patterns. These are great for smaller accessories like lampshades, but can also be fantastic on larger surfaces e.g. a small scale patterned wallpaper layered with medium scale fabrics in the room.

Mix Different Pattern Types

Now that you’ve identified your pattern and colour preferences and have a steer on how to combine different scales the next step is to mix a combination of your favourite types of patterns, e.g. tribals with geometrics, to give your room interest and personality.

As a basic guideline:

  • Stripes & checks: Classic and versatile, stripes work well with almost any other pattern and can add a touch of order and symmetry.

  • Florals: These add a soft, organic feel and pair beautifully with more structured patterns like stripes and geometrics.

  • Geometric Patterns: Modern and bold, geometrics can range from symmetrical art deco and mid-century motifs to the softer, painterly geometrics seen on block print linens.

  • Animal Prints: For a touch of the exotic, animal prints like leopard or tiger can act as neutrals, bringing texture and a sense sophisticated flamboyance to a space.

  • Tribals:  For those keen to add well-travelled, worldly charm tribal prints are a fantastic way to introduce a sense of diversity and cultural curiosity. There is also an inherent imperfect hand-crafted quality that typically adds a relaxed feel to schemes.

Play with Texture

Texture is another important layer of interest when mixing patterns and prints. A textured material, like a knitted throw, velvet cushion, or rattan basket, adds a tactile element that complements and enhances printed fabrics. Even if the patterns are bold, incorporating texture can ground the design, making the space feel warm and cohesive.

Balance with Solids

Solids act as the “breather” in a room filled with patterns. Incorporating solid-coloured elements, such as a plain sofa or solid drapes, helps to balance the visual intensity.

Layer Patterns Gradually

If you’re new to mixing patterns, start slowly. Begin with one patterned piece, such as a rug or a set of cushions, and then build from there. Gradually layer in additional patterns through smaller accessories until you achieve the desired look. This approach allows you to make adjustments along the way without feeling overwhelmed.

Trust Your Instincts

Ultimately, interior design is an expression of your personal style. While guidelines such as these can hopefully help encourage experimentation, the most important rule is to trust your instincts even if that means breaking from traditional dogma. Similarly to art, it’s important to understand the foundational principles and theories that underpin prescribed approaches in order to gain the confidence to play with and subvert formulaic approaches in favour of more instinctive ones guided by your own innate, if somewhat hidden or unrealised, sense of style.

In short, if a combination feels right to you, go for it! Take risks, experiment, and have fun with the process!

The Hidden Pearl/ In Conversation with Société magazine


THE HIDDEN PEARL

Following in the tradition of my slightly tongue in cheek project names, I’ve nicknamed my latest project, the renovation of my own home, ‘ The Hidden Pearl’, as to be perfectly blunt, the flat had been rather neglected when I got my mittens on it and needed a bit of a polish! I often joke that I love a challenge which is surely proof that you have to be careful what you wish for! Hehe. But as they say, 'No grit, no pearl.'

Take a peek at a couple of the finished spaces below, followed by a more in depth look at some of the personal pieces in my home. And last but not least read a little preview of my recent conversation with Société magazine which will be published in full later this week.


The Sitting Room


The Bedroom



CURATED COLLECTIONS

Embark on a journey with me as I reveal the backstory behind some of the personal pieces in my home…

Indian chairs

These are colonial style teak wood chairs. My aunt who has lived in India and Pakistan has a beautiful collection of fabrics, carpets and furniture from her stints living in South Asia which I’m sure shaped my taste.


Chinoiserie stool

I’ve had this as long as I can remember as it was in my childhood home. It was designated my ‘special seat’ when guests spilled over and extra seating was required. A rather ingenious way my parent’s devised to get me to give up a comfortable spot on the sofa.


Hammam bowl

I’m slightly embarrassed to admit when I first saw the bowl I thought it was a vintage bundt cake tin but a little research revealed it’s true use was to ladle water over the bather in a hammam. The central indentation providing a pillow to cradle their head when turned upside down!


Arched headboard

 One of the influences for the Mughal shape is a row of Edwardian Anglo-Indian houses on the promenade in the seaside town I grew up in. They were a slice of exoticism next to one of my all-time favourite buildings, the clean lined De La Warr Pavilion. I love the contrast between them.


Oriental lamp

In truth, I don’t know too much about this lamp that caught my eye with its pearlescent lusterware glaze. It’s Imari-esque but not Imari. If anyone has any clues I’m all ears!



IN CONVERSATION WITH SOCIÉTÉ MAGAZINE

What are you working on at the moment?

We’re working on a handful of projects at the moment. The next to wrap up will be phase one of a colourful and expressive family home in Muswell Hill which has been a delight as the wife is a fashion stylist and is just as fond of colour and quirky details as I am!

We’re also due to complete a contemporary family home in Stoke Newington later this summer which has been an absolute dream project as it’s involved lots of collaboration with two super talented British cabinet makers, Jacob Alexander and Stuart Indge.

One of my key aims for the year was to support more British makers as it’s not only good for the environment but encourages future generations of artisans to continue to evolve their various crafts so working closely with these two South London based workshops has been a brilliant experience.

Which room in your new project, ‘The Hidden Pearl’ did you enjoy working on the most and why?

It would have to be my bedroom. It has beautiful light and feels super serene now but when I first got my hands on it I had my work cut out as it was a cacophony of 70s décor misdemeanours. So I rolled up my sleeves and got stuck in!

As it was the first room to be renovated it became my sanctuary during the refurb and contains some of my favourite pieces. One of those is the fire surround which I bought years ago. I’d been waiting for the right place to put it so installing it was a highlight and it’s become a focal point.

If you could design a room for any fictional character, who would it be and what would the room look like?

Ooh, this is such a fun question…In my own flat, especially the dressing room, I took inspiration from dusky film noir sets. ‘The Big Sleep’ being a favourite as there’s a heady cocktail of art deco and chinoiserie in some of the more overtly feminine rooms.

As a counterpoint, I’d design the bedroom of the male protagonist, private eye, Philip Marlowe. I’m thinking strong lines and art deco shapes but in a heavier more angular style. A simple backdrop with restrained use of bold colour on one or two key furnishings, perhaps a plush geometric rug, with an American art deco leather club chair in dark leather, a burl cocktail cabinet and bookcase to set the scene for sleuthing!